π Periodical writing : During romanticism
This blog is written as my thinking Activity assigned by Megha trivedi ma'am
Hello, I'm Krupali Belam Currently persuing my Master in English literature at Department of English.
This blog is written as my thinking Activity assigned by Megha trivedi ma'am
Best Bollywood Adaptations of Shakespeare's plays
πExplore the best Bollywood adaptations of Shakespeare’s works. Discuss how these adaptations interpret and transform the original plays for an Indian
William Shakespeare is one of the greatest writer of English literature.As we know that he wrote drama for theater performances and for earning a good amount . But after that his works had great influence on contemporary generation. Many of his works are taken in Indian movies which we are discussing in this blog , so let's begin...
Bollywood has a rich history of adapting Shakespeare's play ,infusing them with local culture and social context here are some notable adaption and how they transform Shakespeare's works for an Indian audience.
There are many films which are taken from Shakespeare's plays like ..
1) Maqbool (2003)
Based on - Macbeth
Directed by - Vishal Bharadwaj
Vishal Bharadwaj's "Maqbool" is seminal Bollywood Adaptations of Shakespeare's "Macbeth", set against the gritty backdrop of Mumbai's criminal underworld.In the film uses similar themes of play like ambition,power and guilt into in to contemporary Indian context , specifically within the world of organized crime.
In "Maqbool", the central character, Maqbool is Portrayed as a loyal henchman to a powerful gangster, Abbaji,who mirrors Macbeth's king.The characters are translated into figures of the underworld hierarchy, with Tabu’s character, Nimmi, representing Lady Macbeth. Her role as a manipulative force behind Maqbool's rise mirrors Lady Macbeth’s influence in Shakespeare’s tragedy.
The film also incorporates traditional Indian elements, such as using the streets and markets of Mumbai as a backdrop, to set the story in a familiar setting. The stark and raw atmosphere of the film heightens the tension and moral ambiguity, effectively transposing Shakespeare's dark tragedy into a contemporary Indian context.
2) Omkara (2006)
Based on - Othello
Directed by - Vishal Bharadwaj
Socrates: the founder of Western philosophy
" Wonder is the feeling of a philosopher,
And philosophy begins in wonder."
- Socrates quoted by Plato in theaetetus
Introduction:
Socrates was one of the most influential figures in western philosophy.we have no more information about him but through his students Plato and xenophon we came to know about his life and his ideas of philosophy. Socrates is renowned for his contribution to ethics and epistemology as well as he developed the Socrates method.
Early life:
Socrates was born in Athens, Greece around 469/470 BCE. His father Sophroniscus was a stonemason and his mother was a midwife.his family was not more wealthy that because he did not take more education. Socrates also worked as a stonemason during his early life.
During the peloponnesian war Socrates joined Athenian army and worked as a hoplite. Socrates fought in many battles and was noted for his bravery and courage.
" The unexamine life is not a living"
Socrates philosophical method:
Socrates was removed for his method of inquiry. Whereas he came to know that he was very brilliant ,he had desired that how he was more brilliant than others . He talked with everyone about his questions.
Socrates believed in the total ultimate truth one could reach by realizing once own ignorance. His famous words “ I know that I'm nothing” , perfectly sum up his philosophy of intellectual humility and the constant search for truth . His paradoxical wisdom emphasized that the awareness of their limitations was the basis of knowing the truth.
Socratic method:
A form of dialectical questioning intended to simulate critical thinking and enlightening ideas rather than providing answers or making direct statements , Socrates asked a series of questions to help his interlocutors uncover the concept and assumption underlying their beliefs.
Lagacy and influence:
Socrates' influence on Western philosophy is deep and far-reaching. His emphasis on ethical inquiry, the Socratic method and the pursuit of knowledge has influenced countless philosophers and thinkers.
His influence is also evident in the works of his students and followers. in contemporary generation it might be very useful for students to develop their critical thinking skill and questioning.
Conclusion:
Socrates' philosophy fundamentally reshaped western thought. At heart of his philosophy is the socratic method, a dialectical technique that is used for simulating critical thinking and illuminating ideas through questioning.
Socrates questioning established norms and seeking the truth led deep reflection on human nature, ethics and knowledge.
Thank you.
References:
https://bhumibagohil333.blogspot.com/
https://medium.com/reinvention-space/the-socratic-method-8e9328b70deb
Wikipedia
Other references are from different AI tools
One Indian Girl: Between Ambition, Identity, and the Burden of Expectations
Chetan Bhagat’s One Indian Girl is a contemporary novel that explores the challenges faced by modern Indian women as they navigate career, relationships, and societal expectations. Through the story of Radhika Mehta, an ambitious and successful investment banker, Bhagat attempts to give voice to a woman who refuses to fit into traditional roles. Set across multiple global locations, including New York, Hong Kong, and London, the novel reflects the life of a global Indian woman who is constantly negotiating between professional success and personal acceptance.
The narrative begins with Radhika preparing for her wedding, but as the story unfolds, it moves back and forth in time, revealing her past relationships and inner conflicts. Despite her professional achievements, Radhika struggles with a sense of inadequacy shaped by societal norms that prioritize marriage over career for women. This tension becomes evident when she reflects on how people perceive her success, suggesting that being highly ambitious as a woman often makes her appear “too much” or difficult to accept. Through this, Bhagat highlights the double standards that exist in society, where qualities admired in men are often criticized in women.
One of the most interesting aspects of the novel is its exploration of identity. Radhika’s journey is not just about choosing between different partners but about understanding herself beyond external expectations. Her internal dialogue frequently reveals her confusion and emotional vulnerability, especially when she questions whether success has made her less desirable in the traditional sense. At one point, she openly admits the pressure of balancing independence with the need for emotional connection, reflecting a reality many modern women experience but rarely articulate.
The novel also critiques the idea of the “perfect woman” in Indian society. Radhika is expected to be successful but not intimidating, modern but not too independent, and confident but still submissive in relationships. This contradiction creates a constant inner conflict, making her feel as though she must reduce herself to fit into acceptable norms. Bhagat uses her character to question why a woman’s worth is often judged more by her personal life than her professional achievements.
However, while One Indian Girl raises important issues, it is not without its limitations. The narrative attempts to represent a female perspective, but at times, it feels shaped by a simplified understanding of complex gender issues. Some readers may feel that Radhika’s character does not fully escape stereotypical portrayals, and the resolution of her journey may seem somewhat predictable. Additionally, Bhagat’s straightforward writing style, while engaging, may not fully capture the depth of psychological and emotional struggles involved.
Despite these criticisms, the novel succeeds in initiating a conversation about gender roles, ambition, and identity in modern India. It brings attention to the silent pressures faced by women who choose unconventional paths and challenges readers to rethink traditional expectations. The idea that a woman should not have to apologize for her success becomes an important takeaway, even if the narrative does not explore it as deeply as it could.
In conclusion, One Indian Girl is a relevant and relatable novel that reflects the changing position of women in Indian society. Through Radhika’s journey, it highlights the ongoing struggle between individuality and societal acceptance. While it may not offer a perfect or deeply nuanced portrayal, it opens up space for discussion and reflection. Ultimately, the novel suggests that true fulfillment comes not from meeting expectations but from understanding and accepting oneself beyond them.
The Golden Frame" by R.K. Narayan
Introduction
R.K. Narayan, one of the finest and most beloved Indian writers in the English language, is celebrated for his ability to capture the rhythms of ordinary Indian life with warmth, gentle humor, and quiet moral wisdom. His short stories, set almost entirely in the fictional South Indian town of Malgudi, are deceptively simple on the surface but carry deep psychological and social truths beneath. "The Golden Frame" is one such story a compact, brilliantly constructed tale that explores vanity, obsession, self-deception, and the dangerous power of ego. Through the story of one man's absurd yet revealing behavior, Narayan holds up a mirror to a very human weakness that transcends culture and time.
The Plot A Brief Overview
The story centers on a wealthy and pompous man who has a grand portrait of himself painted and framed in an expensive golden frame. He is enormously proud of this portrait and hangs it in a prominent place in his home where all visitors must see and admire it. The portrait becomes the center of his world a symbol of his self-importance and his desire to be seen, admired, and remembered.
The story takes a darkly comic turn when the man becomes increasingly obsessed with his portrait. He begins to neglect everything else in his life in favor of maintaining and admiring his own image. When something threatens the portrait when it is damaged or at risk his reaction is completely disproportionate, revealing just how deeply his identity has become entangled with this painted image of himself. Narayan uses this simple premise to deliver a sharp and witty commentary on human vanity and the fragility of ego.
Themes
1. Vanity and Self-Obsession
The most prominent theme of "The Golden Frame" is vanity an excessive pride in one's own appearance and importance. The central character is not simply a man who likes a nice portrait. He is someone whose entire sense of self-worth is wrapped up in how he appears to others. The golden frame itself is deeply symbolic gold suggests wealth, prestige, and permanence. By placing his own portrait in such a frame, the man is essentially declaring himself worthy of being treasured, displayed, and admired like a precious object.
Narayan treats this vanity not with anger but with his characteristic gentle irony. He does not condemn the man harshly. Instead, he simply observes him with quiet amusement and allows the character's own behavior to reveal its absurdity. This is Narayan's great skill he lets human nature expose itself without authorial judgment.
2. The Ego and Self-Deception
Beneath the surface comedy of the story lies a more serious psychological insight. The man in the story has constructed an image of himself quite literally and then fallen in love with that image. He no longer sees himself as he truly is. He sees himself as the portrait presents him dignified, important, permanent. This is a form of self-deception that Narayan explores with great subtlety.
The golden frame becomes a kind of prison. The man is trapped inside the image he has created of himself, unable to step outside it or see himself with any honesty. This theme connects to a broader human tendency the desire to control how we are perceived by others, and the anxiety that arises when that carefully constructed image is threatened.
3. Social Status and Appearance
Narayan was always deeply interested in the social dynamics of Indian middle-class life, and "The Golden Frame" is no exception. The man's obsession with his portrait is not simply personal it is deeply social. He wants visitors to see the portrait. He wants to be admired. The frame is golden not just because he can afford it, but because he wants the world to know he can afford it. Status, wealth, and social recognition are all bound up in this single object.
This critique of status-seeking is as relevant in contemporary society as it was when Narayan wrote it. In an age of social media and carefully curated self-presentation, the man with his golden-framed portrait feels startlingly modern.
4. Materialism and the Misplacement of Value
The story also touches on the theme of materialism the tendency to place excessive value on objects and possessions. The man values his portrait more than any living relationship or genuine experience. When the portrait is threatened, his distress is far greater than any distress he might feel over something truly important. Narayan quietly suggests that a life organized around the preservation of one's image and possessions is a deeply impoverished life, no matter how golden the frame.
Character Analysis
The central character of the story is drawn with Narayan's usual economy and precision. He is not a villain he is simply a recognizable human type, the kind of person one might encounter in any town or city. His pomposity is not cruel, merely foolish. His obsession is not dangerous to others, only to himself. Narayan has a deep sympathy for human weakness, even as he gently mocks it. The character becomes both comic and quietly pathetic a man who has mistaken his image for his identity and, in doing so, has lost touch with what truly matters.
There are no deeply developed secondary characters in this story Narayan keeps the focus tightly on his central figure. The other characters exist mainly as an audience for the man's vanity, reflecting back his self-importance and occasionally puncturing it.
Narayan's Style and Narrative Technique
One of the great pleasures of reading R.K. Narayan is his prose style clean, uncluttered, quietly humorous, and deeply observant. He never overexplains. He never moralizes directly. He trusts his reader to understand the irony and draw their own conclusions. "The Golden Frame" is a perfect example of this technique. The comedy of the situation is allowed to speak for itself, and the moral emerges naturally from the events of the story rather than being stated explicitly.
Narayan also has a remarkable gift for capturing the texture of everyday Indian life the conversations, the social rituals, the small domestic details without ever making his stories feel parochial or limited. His Malgudi is a universal place. The concerns of his characters are universal concerns.
His narrative voice in this story is warm but gently ironic throughout. There is a quiet authorial smile behind every sentence, an amused but affectionate regard for human absurdity. This tone never cruel, never sentimental is one of the distinguishing marks of Narayan's genius.
Symbolism
The golden frame itself is the most powerful symbol in the story. Gold represents wealth, vanity, and the desire for permanence. By framing his own portrait in gold, the man is attempting to make himself immortal to fix his image in time and declare it valuable to the world. But a frame, however golden, cannot truly preserve a person. It can only preserve an image a flat, lifeless representation of what a person once appeared to be. This is Narayan's quiet joke at the character's expense. The man pursues permanence and significance through the most superficial of means.
The portrait itself symbolizes the false self the idealized image we construct for public consumption, which has little to do with our true inner life. The man loves his portrait because it shows him as he wishes to be seen, not as he truly is.
For BA level students, "The Golden Frame" offers rich material for literary analysis. It connects to broader themes in Indian English literature regarding class, social aspiration, and the tensions of modern Indian society. It also invites comparison with similar explorations of vanity in world literature from Oscar Wilde's The Picture of Dorian Gray, where a portrait becomes the site of a man's moral corruption, to the comic social portraits of characters in Jane Austen's fiction.
The story is also an excellent example of the short story as a form compact, focused, and achieving maximum effect with minimum material. Narayan's mastery of the form is evident in every carefully chosen detail.
Conclusion
"The Golden Frame" is a small story with a large heart. In the space of just a few pages, R.K. Narayan manages to illuminate one of the most enduring of human weaknesses the desire to be seen, admired, and remembered and to do so with warmth, wit, and quiet wisdom. The man with his golden-framed portrait is comic, yes, but he is also deeply human. We recognize him because we recognize something of ourselves in him. That is the mark of truly great writing the ability to hold up a mirror to human nature so gently and precisely that the reader both laughs and winces at the same time.
In a world increasingly obsessed with image, appearance, and self-presentation, Narayan's little story feels more relevant than ever. The golden frame may have changed its shape from a portrait on the wall to a profile picture on a screen but the vanity it represents remains exactly the same.
Animal Farm by George Orwell: A Timeless Political Allegory
George Orwell's Animal Farm (1945) is one of those rare works of literature that manages to be simultaneously simple and devastating. On the surface, it is a story about farm animals who overthrow their human master and attempt to run the farm themselves. Beneath that surface, it is a razorsharp critique of totalitarianism, political corruption, and the betrayal of revolutionary ideals lessons that feel as urgent today as they did in postwar Britain.
The Story and Its Allegory
The novella begins with Old Major, an elderly pig, delivering a passionate speech about the injustices the animals suffer under Farmer Jones. He dreams of a world where animals are free, equal, and selfgoverning a vision he calls "Animalism." Shortly after his death, the animals revolt, drive Jones off the farm, and establish their own society based on Seven Commandments, the most important of which is: "All animals are equal."
What follows is a masterclass in how power corrupts. The pigs, led by Napoleon and Snowball, gradually seize control. Snowball is eventually driven out by Napoleon's trained dogs in a scene clearly mirroring Stalin's exile of Trotsky. Napoleon then rewrites history, blames every failure on Snowball, and consolidates absolute power. By the end of the novella, the pigs are walking on two legs, wearing clothes, and drinking with humans indistinguishable from the oppressors they once overthrew. The final, chilling commandment reads: "All animals are equal, but some animals are more equal than others."
Characters as Political Symbols
One of Orwell's greatest strengths is his ability to make political figures feel human or in this case, animal. Each character functions as a clear symbol without ever feeling like a cardboard cutout.
Napoleon represents Stalin ruthless, selfserving, and willing to use fear and propaganda to maintain control. Snowball mirrors Trotsky, the idealistic intellectual who is eventually scapegoated. Boxer , the hardworking horse whose motto is "I will work harder," is perhaps the most tragic figure he represents the honest working class who give everything to a revolution that ultimately betrays them. His fate, being sold to the knacker's yard while the pigs toast their success, is heartbreaking precisely because he never stops believing in Napoleon.
Squealer , Napoleon's propagandist, is arguably the most relevant character for our times. He represents state media and political spin always finding a way to reframe reality, manipulate statistics, and make the animals doubt their own memories.
Orwell's Craft and Style
What makes Animal Farm so powerful is its deceptive simplicity. Orwell wrote in clear, unpretentious prose a deliberate choice. The fairytale tone lulls the reader into a false sense of comfort before delivering political truths of extraordinary weight. This contrast between form and content is itself a political statement: tyranny does not always announce itself with complexity; it often arrives dressed in simple, reassuring language.
The gradual alteration of the Seven Commandments is one of the most effective literary devices in the novel. Each change is subtle, almost unnoticeable much like the slow erosion of rights in a real authoritarian state. The animals, exhausted and overworked, cannot remember the original rules clearly. This selective memory, manipulated by those in power, is at the heart of Orwell's warning.
Why It Still Matters
Written as a critique of Stalinist Russia, Animal Farm has proven to be universally and timelessly relevant. Every generation finds its own Napoleon, its own Squealer, its own herd of sheep chanting slogans they barely understand. The novella warns us that revolutions can be hijacked, that language can be weaponised, and that the most dangerous lies are the ones told by those who claim to speak for the people.
As a student of literature, what strikes me most is how Orwell refuses to offer easy hope. The ending is not a call to action it is a warning. The animals look from pig to man and cannot tell the difference. That image stays with you long after the book is closed, which is precisely what great literature is supposed to do.
Conclusion
Animal Farm is not just a political fable it is a mirror. Orwell holds it up and asks us to look honestly at the world around us, at the leaders we follow, at the slogans we repeat, and at the moments when we choose comfort over truth. For a BA student engaging with it for the first time, it is a perfect entry point into understanding how literature can challenge power. For anyone revisiting it, it is a reminder that the farm is never as far away as we would like to believe.
A Red, Red Rose by Robert Burns
Some poems are so simple and so beautiful that you wonder how anyone managed to put those exact words in that exact order. A Red, Red Rose by Robert Burns, written in 1794, is one of those poems. It is short, it is musical, it is deeply romantic and yet the more you look at it, the more you find inside it. It is the kind of poem that feels like it has always existed, like it was not written so much as discovered.
About Robert Burns
Robert Burns (1759–1796) was a Scottish poet who is still celebrated today as the national poet of Scotland. Every year on the 25th of January Burns Night people across Scotland and around the world gather to celebrate his life and poetry with food, whisky, and readings of his work. He wrote primarily in the Scots dialect a form of English spoken in Scotland which gives his poetry a unique musical quality that standard English simply cannot replicate.
Burns came from a humble farming background and lived a short, difficult life. He died at just thirty seven years old. But in that short life he produced some of the most beloved poetry in the English language. He was a man of enormous feeling passionate, warm, deeply romantic and all of that feeling pours into his best poems.
A Red, Red Rose is perhaps his most famous lyric poem and one of the most celebrated love poems ever written in any language.
The Poem Itself
The poem has four short stanzas and it is worth reading them carefully before analysing them.
In the first stanza, Burns compares his love to a red rose that blooms in June and to a sweet melody played in tune. These two comparisons visual beauty and musical beauty immediately establish the tone. His love is something perfect, natural, and harmonious.
In the second stanza, he makes a declaration of his love he loves her deeply and will continue to love her as long as the seas continue to flow and the rocks continue to exist. He is reaching for images of permanence things that seem eternal to express the depth of his feeling.
In the third stanza, he extends this even further. He will love her until the sun melts the rocks in other words, forever, past the end of the world itself. And then he says farewell for a while suggesting he is about to leave on a journey.
In the fourth and final stanza, he promises to return even if it is ten thousand miles away that he must travel. Distance, no matter how vast, cannot diminish his love.
The Similes Simple but Perfect
The opening two similes of the poem are among the most celebrated in all of love poetry. Comparing his love to a red rose and to a sweet melody seems almost too simple and yet it works with extraordinary power.
The red rose is a symbol of passionate love that has existed across cultures for thousands of years. But Burns does not just say rose he says red, red rose. That repetition is crucial. It intensifies the colour, the passion, the feeling. It also gives the line a musical rhythm that you almost feel physically. The rose blooms in June at the height of summer, at the peak of beauty and warmth. His love is not pale or fading it is at its fullest, most vibrant, most alive.
The melody comparison is equally beautiful. Love here is not just something you see it is something you hear, something that has rhythm and harmony. A melody that is sweetly played in tune suggests perfect harmony, perfect rightness. This is not a complicated or troubled love it is love that is in tune with itself and with the world.
These two similes in the opening stanza do something remarkable they make an abstract feeling completely sensory. You can almost see the rose and hear the melody. Burns takes something invisible and makes it real.
Hyperbole Exaggeration as Emotional Truth
One of the most important techniques in this poem is hyperbole deliberate exaggeration used to express emotional intensity. Burns says he will love his beloved until the seas run dry, until the rocks melt with the sun, until the sands of life shall run. These are impossible conditions the seas will not run dry, rocks do not melt in sunlight. Burns knows this.
But that is exactly the point. Hyperbole in love poetry is not dishonesty it is a way of expressing a feeling that ordinary language cannot contain. When we feel very deeply, ordinary words are not enough. We reach for the impossible, the infinite, the eternal. Burns is saying my love is bigger than language can hold, so I am reaching for images as vast as the universe to try to come close.
This kind of exaggeration has a long tradition in love poetry it appears in Shakespeare's sonnets, in Petrarchan love poetry, in folk songs across many cultures. Burns is drawing on that tradition and using it with perfect instinctive skill.
The Musical Quality of the Poem
Burns himself described this poem as a song rather than a poem and indeed it has been set to music many times. The Scots dialect words bonnie lass, gang, fare thee weel give it a musical texture that standard English words simply would not have. They sound warmer, softer, more intimate.
The rhythm of the poem is also deeply musical. It follows a ballad metre alternating lines of four and three stresses which gives it a lilting, song-like quality. When you read it aloud, and you absolutely should read it aloud, it flows naturally and beautifully. It feels less like a written poem and more like something that has been sung around fires for centuries.
This musicality is central to the poem's emotional effect. The sound of the poem carries feeling in a way that pure meaning cannot. Even if you did not understand every word, you would feel the warmth and tenderness of it simply from its sound.
The Theme of Separation and Faithfulness
Beneath all the romance and beauty, there is a quiet sadness in this poem. The speaker is saying farewell. He is going away somewhere far, perhaps very far. The final stanza's promise to return even from ten thousand miles suggests a significant and perhaps uncertain journey.
This gives the declarations of eternal love an additional poignancy. He is not simply expressing love in a comfortable, settled moment he is expressing it at the moment of parting, which is when love feels most urgent and most fragile. The poem is as much about the fear of loss as it is about the joy of love.
His promise of faithfulness across any distance was a deeply meaningful one in the eighteenth century, when journeys were long and uncertain and communication was slow and unreliable. To promise to return from ten thousand miles was to promise something genuinely difficult and genuinely brave.
Why This Poem Endures
A Red, Red Rose has endured for over two hundred years because it speaks to something universal and timeless. Everyone who has ever loved someone and feared losing them, or faced separation from them will recognise the feelings in this poem. The specific details are eighteenth century Scottish, but the emotion is human and eternal.
It also endures because of its perfect simplicity. Burns does not use complicated vocabulary or difficult imagery. He uses roses, melodies, seas, rocks, and sands. He uses words anyone can understand. And yet within that simplicity he creates something of extraordinary emotional power. That is one of the hardest things in poetry to achieve and Burns makes it look effortless.
Bob Dylan, when accepting his Nobel Prize for Literature in 2016, named A Red, Red Rose as one of the biggest influences on his songwriting. That single fact tells you everything about the reach and power of this small, beautiful poem.
Conclusion
A Red, Red Rose is everything a love poem should be passionate, musical, tender, and completely sincere. It does not try to be clever or complicated. It simply tries to say as clearly and as beautifully as possible that this love is real, it is deep, and it will not fade with time or distance.
Burns wrote it more than two centuries ago, but it feels written for today, for right now, for anyone who has ever felt that particular ache of loving someone completely. That is the mark of truly great poetry it belongs to everyone who reads it.
"And I will love thee still, my dear, till a' the seas gang dry."
Robert Burns, A Red, Red Rose
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